Eastern Festival Orchestra
Festival Orchestra Series
Horacio Gutiérrez, piano
The Burlington Boys Choir
The North Carolina Boys Choir
Gerard Schwarz, conductor
The Little Horses (Lullaby)
Zion's Walls (Revivalist Song)
The Golden Willow Tree (Anglo-American Ballad)
At the River (Hymn Tune)
Ching-a-ring (Minstrel Song)
The Burlington Boys Choir
William Allred, Director
The North Carolina Boys Choir
David Cole, Associate Director
Andante con moto
Kräftig bewegt, doch nicht zu Schnell
Feierlich und gemessen, ohne zu schleppen
GERARD SCHWARZ enters his 13th year with the Eastern Music Festival in 2017. He joined the Festival as music advisor in 2005, became principal conductor in 2006 and music director in 2008.
He also serves as music director of the All-Star Orchestra, an ensemble of top musicians from America’s leading orchestras which includes eight members of the EMF faculty. All-Star Orchestra is featured in a new television series that has aired throughout the United States on PBS reaching 3.5 million viewers. It is the basis for their Khan Academy education platform. As in baseball, Schwarz created an “all-star” team of top musical athletes who have thus far recorded 12 episodes to encourage a greater understanding and enjoyment of classical music. All 12 programs have been released by Naxos and have been awarded four Emmy Awards and the Deems Taylor Television Broadcast Award from the American Society of Composers, Authors and Publishers.
Schwarz is conductor laureate of the Seattle Symphony and is a renowned interpreter of 19th century German, Austrian and Russian repertoire, in addition to his noted work with contemporary American composers.
With more than 300 world premieres to his credit, Schwarz has always felt strongly about commissioning and performing new music. As EMF music director he initiated the Bonnie McElveen-Hunter Commissioning Project that has thus far commissioned John Coriglian, Richard Danielpour and Lowell Lieberman. In all, McElveen-Hunter has committed to 10 new works from American composers.
During Schwarz’ tenure with the Festival, he has expanded audiences to the largest in its history, incorporated a composer in residence program, developed three new concert series and added new educational initiatives. The Festival Orchestra has also recorded a critically praised recording of the music of Alan Hovhaness for Naxos.
A prolific recording artist, Schwarz’s total discography numbers over 350. His pioneering cycles of American symphonists such as William Schuman, David Diamond and Howard Hanson have received high critical praise, as have his acclaimed series of Stravinsky ballets, symphony cycles of Robert Schumann, Gustav Mahler and Dmitri Shostakovich as well as orchestral works of Richard Wagner, Richard Strauss and Rimsky-Korsakov.
More than 50 discs featuring Gerard Schwarz and the Seattle Symphony – with works by 54 composers ranging from the Baroque to contemporary periods – were released in the last two years on Naxos, Delos, Artek and Brilliance Audio. Representing the breadth and depth of the conductor’s vast repertoire, the recordings vary in genre, including major 20th century ballets by Stravinsky, Strauss, Bartók, Ravel and Prokofiev, as well as multi-disc cycles of works by Schumann, Strauss, Wagner and Stravinsky. Schwarz’ dedication to the promotion of American music is also represented with recordings featuring the works of 26 American composers.
The Hanson cycle, first released on Delos, was a mainstay on Billboard’s classical music best-selling list for 41 weeks, including six weeks at number three; earned Grammy nominations and was named 1989 Record of the Year by Stereo Review. The new Russian series on Naxos has been acclaimed as “a high point in the extensive Schwarz/Seattle discography” (Classics Today), “very fine” (The Guardian) and “a powerhouse in Russian Romantic repertoire” (Music Web International). In addition to his numerous recordings with the Seattle Symphony, he has also recorded with the Berlin Radio Symphony, Czech Philharmonic, English Chamber Orchestra, Juilliard Orchestra, London Symphony, Los Angeles Chamber Symphony, New York Chamber Symphony, Orchestre National de France, Philadelphia Orchestra, Royal Liverpool Philharmonic, Tokyo Philharmonic and, of course, Eastern Music Festival. His most recent release is of Rimsky-Korsakov’s 1st and 3rd Symphonies with the Berlin Radio Symphony Orchestra.
The Maestro’s long-standing commitment to education continues through his partnership with the All-Star Orchestra and Kahn Academy, the ground breaking organization that provides a free world-class education to anyone anywhere. Thus far their educational platform has reached 3.5 million students.
A gifted composer and arranger, Schwarz has expanded his compositional activities in recent years. His Trio for Violin, Horn and Piano was called a work of “sophistication and intelligence” by critic R.M. Campbell. Earlier works include In Memoriam and Rudolf and Jeanette (dedicated to the memory of his grandparents who perished in the Holocaust), both recorded by Naxos; Human Spirit, a composition for children’s choir and orchestra and his duos for violin and cello were called “redolent of the gentle humanism central to much of the music Schwarz loves to conduct” by The Seattle Times. His arrangements of suites from Strauss’ Der Rosenkavalier, Debussy’s Pelléas et Mélisande and Humperdinck’s Hansel and Gretel as well as many orchestral works are programmed in concerts worldwide. A Journey, a large scale orchestral tone poem, was commissioned by Dave Gannet and received its world premiere at the Eastern Music Festival in July 2012. Schwarz’s work for concert band Above and Beyond was premiered by the United States Marine Band in 2013 and is now available on Naxos. His newest work for that ensemble, a transcription of Rudolf and Jeannette, was premiered in February 2016. His orchestral work A Poem was recently given its first performance by the Hartford Symphony.
A sought-after guest conductor, Schwarz has led the most renowned orchestras throughout the world. He is also known for his operatic performances in addition to his concert work, having appeared with the Juilliard Opera, Kirov Opera, Mostly Mozart Festival, San Francisco Opera, Seattle Opera (where he has led 21 productions) and Washington National Opera conducting the operas of Wagner, Janáček, Strauss, Mozart, Bizet, Weber, Debussy, Bartók, Stravinsky, Beethoven and Gluck.
Born in America to Viennese parents, Schwarz began studying music at the age of 5 and soon focused on the trumpet. A graduate of both New York City's High School of Performing Arts and The Juilliard School, he joined the New York Philharmonic in 1972 as co-principal trumpet, a position he held until 1977. Schwarz’s numerous previous positions include music director of New York’s Mostly Mozart Festival, where he presided over sold-out houses, developed the orchestra’s international touring, maintained a nine-year residency in Japan, considerably expanded its Mozart repertoire and through its televised Live from Lincoln Center appearances earned several Emmy nominations. His tenure as music directorof the Royal Liverpool Philharmonic Orchestra (RLPO) initiated the long-standing partnership between the orchestra and Classic FM, expanded recordings on the RLPO Live label, initiated a new partnership with Avie records, created the enormously popular Sunday matinee Musically Speaking concert series, led highly acclaimed tours to Spain and Prague and brought the orchestra to National Television in BBC Proms broadcasts. As music director of the Los Angeles Chamber Orchestra and New York Chamber Symphony he expanded concert series and audiences, made award-winning recordings and championed new works. In addition he served as artistic advisor to the Tokyo Philharmonic.
Gerard Schwarz completed his final season as music director of the Seattle Symphony in 2011 after an acclaimed 26 years. During his leadership, Schwarz was instrumental in the building of Benaroya Hall, spearheading efforts that resulted in the acoustically superb new home for the Seattle Symphony. The many legacies of his extraordinary leadership include a critically acclaimed discography of more than 140 recordings; numerous television programs and concert broadcasts resulting in two Emmy Awards; major strides in music education programs including new series and the successful Soundbridge Seattle Symphony Music Discovery Center; regular programming of innovative themed festival weeks; in addition to dramatically increased audience attendance and classical subscription weeks. Schwarz’ final season in Seattle was emblematic of the conductor’s passionate dedication and support for contemporary music, with a total of 22 world premieres, 18 of these premieres being a part of the Gund/Simonyi Farewell Commissions, an unprecedented commissioning initiative celebrating his farewell season as music director.
In his nearly five decades as a respected classical musician and conductor, Schwarz has received hundreds of honors and accolades. Over the years, he has received four Emmy Awards, 14 Grammy nominations, eight ASCAP Awards and numerous Stereo Review and Ovation Awards. He holds the Ditson Conductor’s Award from Columbia University, was the first American named conductor of the year by Musical America and has received numerous honorary doctorates, including from his alma mater, The Juilliard School. In 2002 the American Society of Composers, Authors and Publishers honored Schwarz with its Concert Music Award and in 2003 the National Academy of Recording Arts & Sciences gave Schwarz its first IMPACT lifetime achievement award.
Active in music advocacy on a national and state level, he served on the National Council of the Arts and is honorary chairman of the Board of Young Musicians Excelling, an organization in Washington State which supports music education in the Pacific Northwest. Most recently, the City of Seattle recognized his outstanding achievements by naming the street alongside the Benaroya Hall “Gerard Schwarz Place” and the State of Washington gave him the honorary title of “General” for his extraordinary contributions as an artist and citizen.
Considered one of the great pianists of our time, Horacio Gutiérrez is consistently praised by critics and audiences alike for the poetic insight and technical mastery he brings to a diverse repertoire. Born in Havana, Cuba, his professional debut was in 1970 with Zubin Mehta and the Los Angeles Philharmonic. Since then, Mr. Gutiérrez has appeared regularly with the world’s greatest orchestras (including all the major London orchestras, U.S. orchestras, the Berlin Philharmonic, and the Concertgebouw Orchestra), and on its major recital series.
Mr. Gutiérrez has given recitals in Amsterdam’s Concertgebouw, London’s Queen Elizabeth Hall, Berlin’s Philharmonie, New York’s Carnegie Hall and Avery Fisher Hall, as well as in Philadelphia, Los Angeles, Boston, Chicago, San Francisco, and Cleveland. Mr. Gutiérrez has performed with orchestras on numerous occasions at Lincoln Center’s Avery Fisher Hall and Carnegie Hall, including the New York Philharmonic, the Cleveland Orchestra, Pittsburgh Symphony, Montreal Symphony, Orchestre National de France, the Leipzig Gewandhaus, and Dresden Staatskappele. He was a frequent soloist at the Mostly Mozart Festival, appearing on its season-opening Live from Lincoln Center telecast. As a chamber musician, he has collaborated with the Guarneri, Tokyo, and Cleveland quartets, as well as the Chamber Music Society of Lincoln Center. In 1982, he was the recipient of the prestigious Avery Fisher Prize.
Mr. Gutiérrez is an advocate of contemporary American composers. Of special importance were his performances of William Schuman’s Piano Concerto in honor of the composer’s 75th birthday at New York’s 92nd Street Y, and of André Previn’s Piano Concerto with the New York Philharmonic with Mr. Previn conducting. On his recital programs, he frequently included George Perle’s Phantasyplay and a set of Nine Bagatelles that Mr. Perle dedicated to him.
Mr. Gutiérrez’s Telarc recordings include Rachmaninoff’s Piano Concerti Nos. 2 and 3 with Lorin Maazel and the Pittsburgh Symphony, nominated for a Grammy Award. Also available on that label are separate discs of the two Brahms Concerti with André Previn and the Royal Philharmonic Orchestra; and Tchaikovsky’s Piano Concerto No. 1 and Rachmaninoff’s Rhapsody on a Theme of Paganini with David Zinman and the Baltimore Symphony. For the Chandos label, he has recorded Prokofiev’s Concerti Nos. 2 and 3 with Neeme Järvi and the Royal Concertgebouw Orchestra. His recording, George Perle: A Retrospective, was named one of the ten best recordings of 2006 by The New Yorker. His television performances in Great Britain, the United States, and France were widely acclaimed and he won an Emmy Award for his fourth appearance with the Chamber Music Society of Lincoln Center. A great film and theater fan, he has performed in recital with Irene Worth and Mariette Hartley. Mr. Gutiérrez is an American citizen and resides in New York City with his wife, pianist Patricia Asher.
The Burlington Boys Choir was founded in 1959 by Miss Eva Wiseman. During our fifty eight-year history, hundreds of boys have been educated in great sacred and classical music and in etiquette and discipline. The choristers range in age from nine to sixteen years old and are drawn from the private and public schools in the Burlington area. Boys are chosen for their musical ability and for their maturity, discipline, and high academic standing. The choir has traveled extensively both at home and abroad including numerous trips to Europe and four invitations to the White House. They have appeared with the Greensboro and Winston-Salem Symphonies. In 2013 they sang the east-coast premier of “The Human Spirit” by Gerard Schwarz with the Eastern Music Festival Orchestra, conducted by Maestro Schwarz.
William Allred, Director
Woodson Faulkner, Vocal Coach/Accompanist
The North Carolina Boys Choir and Girls Choir educate and train girls and boys in the art of performing the finest music in the choral tradition. Through musical training and choral experiences, the girls and boys develop an appreciation of a wide range of choral literature. They gain self-confidence and poise, develop leadership and teamwork skills, and acquire self-discipline and self-respect. They bond with other girls and boys who share their love of music. Founded by Bill Graham in 1972 as the Durham Boys Choir, the North Carolina Boys Choir and Girls Choir have been directed by Robert Unger and David Cole since 2014. A Chamber Choir of tenors and basses was added in 1992; the Girls Choir was started in 2011.The mission of the North Carolina Boys Choir is to develop, enhance, and instill character, insight, cultural awareness, respect and self-discipline, and a love for music by direct exposure and involvement in the boychoir art form. We will achieve these goals through dedication, hard work, and a commitment to excellence and the ideals of the great State of North Carolina and beyond.
Robert Unger, Musical Director
David Cole, Assistant Director/Accompanist
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