Eastern Festival Orchestra

Festival Orchestra Series
Venue / Time
Guilford College - Dana Auditorium
8:00pm
Featuring

Anne Akiko Meyers, violin

Gerard Schwarz, conductor

Share On
Saturday, July 22
de Falla
The Three Cornered Hat, Suite No. 2

Dance of the Neighbors (Seguidilla)
The Miller's Dance (Farucca)
Dance Final (Jota)

Samuel Jones
Violin Concerto

Andante con moto
Larghetto con moto; Largo cantabile
Allegro inquieto ed appassionato

          Anne Akiko Meyers, violin

Intermission
Strauss
Ein Heldenleben, op.40, TrV 190 (A Hero's Life)

Der Held (The Hero)
Des Helden Widersacher (The Hero's Adversaries)
Des Helden Gefahtin (The Hero's Companions)
Des Helden Walstatt (The Hero at Battle)
Des Helden Friedenswerke (The Hero's Works of Peace)
Des Helden Weltflucht und Vollendung (The Hero's Retirement from the World and Completion)
          Jeffrey Multer, violin solos

Violin superstar, Anne Akiko Meyers, is one of the most in demand violinists in the world. Regularly performing as guest soloist with the world’s top orchestras, she presents ground-breaking recitals and a best-selling recording artist with 34 albums. Named Billboard’s top-selling traditional classical instrumental soloist, her albums debuted at #1 on Billboard classical charts. Meyers is known for her passionate performances, purity of sound, deeply poetic interpretations, innovative programming and commitment to commissioning new important works from composers.

This spring, Anne performs the world premiere of Einojuhani Rautavaara’s Fantasia, his final work written for her, with the Kansas City Symphony, conducted by Michael Stern.  She performs new compositions and traditional repertoire in recital in Florida, New York, Virginia, Washington D.C., and returns to the Nashville Symphony performing the Bernstein Serenade with Giancarlo Guerrero. In May, she will headline the Kanazawa Music Festival performing the Beethoven Concerto and Mason Bates’ cadenzas with the Orchestra Ensemble Kanazawa, “Archduke” Trio and “Spring” Sonata #5 during Japan’s “Golden Week”. Recently, Anne toured New Zealand with the Mason Bates Violin Concerto and New Zealand Symphony and returned to Krakow and Warsaw, Poland to perform the Szymanowski Concerto and Jakub Ciupinski’s, Wreck of the Umbria. She also performed in Cartagena, Colombia and led the Orpheus Chamber Orchestra with the Vivaldi Four Seasons.

Anne’s 35th album, Fantasia with works by Rautavaara, Ravel and Szymanowski, recorded with Kristjan Järvi and the Philharmonia Orchestra, will be released on Avie Records this October, 2017.  She will also premiere Adam Schoenberg’s violin concerto, which she commissioned, with the Phoenix and San Diego Symphony Orchestras and a new work by James Newton Howard with the Pacific Symphony, led by Carl St.Clair in the 2018 season.

Anne appeared in a nationwide PBS broadcast special and on a Naxos DVD featuring the world premiere of Samuel Jones’ Violin Concerto with the All-Star Orchestra led by Gerard Schwarz and the French premiere of Mason Bates Violin Concerto with Leonard Slatkin and the Orchestre de Lyon.  Two new recordings and a box set were released – Naïve Classics celebrates Arvo Pärt’s 80th birthday with Passacaglia: Arvo Pärt, works for violin and orchestra whom she collaborated closely with the composer, led by Kristjan Järvi and the MDR Leipzig Orchestra and Serenade: The Love Album, an album featuring Leonard Bernstein’s Serenade and ten newly arranged pieces from the American Songbook and classic movies, with the London Symphony Orchestra, Keith Lockhart conducting.  Anne’s complete RCA Red Seal recordings are now available on Sony Music. Meyers also stepped in on 24 hours notice to perform and lead the conductor-less Orpheus Chamber Orchestra in the Mendelssohn Violin Concerto in Carnegie Hall and Pennsylvania.

The American Masters albumfeatures the world premiere recordings of the Mason Bates Violin Concerto, a work she co-commissioned and premiered with the Pittsburgh Symphony and Leonard Slatkin in December 2012 and John Corigliano’s ‘Lullaby for Natalie’ (written for the birth of Ms.Meyers’s first born daughter) and the Samuel Barber Violin Concerto, with the London Symphony Orchestra, conducted by Leonard Slatkin. This recording made Google Play’s Best of 2014 and was heralded by critics and audiences alike. Anne’s prior releases the Four Seasons: The Vivaldi Album, debuted at #1 on the classical Billboard charts, as did Air: The Bach Album, and the Vivaldi was the recording debut of the Ex-Vieuxtemps’ Guarneri del Gesu violin, dated 1741, which was awarded to Meyers for her lifetime use.

A champion of living composers, Meyers collaborates closely with many of today’s leading composers. She adds new works to the violin repertoire, commissioning and premiering works by composers such as Mason Bates, Jakub Ciupinski, John Corigliano, Jennifer Higdon, Samuel Jones, Wynton Marsalis, Akira Miyoshi, Arvo Pärt, Gene Pritsker, Einojuhani Rautavaara, Somei Satoh, Adam Schoenberg and Joseph Schwantner.

Anne has collaborated with a diverse array of artists outside of traditional classical, including jazz icons, Chris Botti and Wynton Marsalis, avant-garde musician, Ryuichi Sakamoto, electronic music pioneer, Isao Tomita, pop-era act, Il Divo and singer, Michael Bolton. She performed the National Anthem in front of 42,000 fans at Safeco Field in Seattle, appeared twice on  and was featured in a segment on MSNBC’s Countdown with Keith Olbermann that became the third most popular story of the year.

Anne has been featured on CBS Sunday Morning, CBS’ “The Good Wife”, NPR’s Morning Edition with Linda Wertheimer and All Things Considered with Robert Siegel and the popular Nick Jr. show, Take Me To Your Mother, with Andrea Rosen. Best-selling novelist, J. Courtney Sullivan, consulted with Anne for The Engagements, and based one of the main characters loosely on her career. She also collaborated with children’s book author and illustrator, Kristine Papillon, on Crumpet the Trumpet, where the character Violetta the violinist, is played by Anne.

Anne Akiko Meyers was born in San Diego, California and grew up in Southern California. She studied with Alice and Eleonore Schoenfeld at the Colburn School of Performing Arts, Josef Gingold at Indiana University, and Felix Galimir, Masao Kawasaki and Dorothy DeLay at the Juilliard School. She received the Avery Fisher Career Grant,  “The Luminary Award” for her support of the Pasadena Symphony and the Distinguished Alumna Award from the Colburn School of Music.

GERARD SCHWARZ enters his 13th year with the Eastern Music Festival in 2017. He joined the Festival as music advisor in 2005, became principal conductor in 2006 and music director in 2008.

He also serves as music director of the All-Star Orchestra, an ensemble of top musicians from America’s leading orchestras which includes eight members of the EMF faculty. All-Star Orchestra is featured in a new television series that has aired throughout the United States on PBS reaching 3.5 million viewers. It is the basis for their Khan Academy education platform. As in baseball, Schwarz created an “all-star” team of top musical athletes who have thus far recorded 12 episodes to encourage a greater understanding and enjoyment of classical music. All 12 programs have been released by Naxos and have been awarded four Emmy Awards and the Deems Taylor Television Broadcast Award from the American Society of Composers, Authors and Publishers.

Schwarz is conductor laureate of the Seattle Symphony and is a renowned interpreter of 19th century German, Austrian and Russian repertoire, in addition to his noted work with contemporary American composers.

With more than 300 world premieres to his credit, Schwarz has always felt strongly about commissioning and performing new music. As EMF music director he initiated the Bonnie McElveen-Hunter Commissioning Project that has thus far commissioned John Coriglian, Richard Danielpour and Lowell Lieberman. In all, McElveen-Hunter has committed to 10 new works from American composers.

During Schwarz’ tenure with the Festival, he has expanded audiences to the largest in its history, incorporated a composer in residence program, developed three new concert series and added new educational initiatives. The Festival Orchestra has also recorded a critically praised recording of the music of Alan Hovhaness for Naxos.

A prolific recording artist, Schwarz’s total discography numbers over 350. His pioneering cycles of American symphonists such as William Schuman, David Diamond and Howard Hanson have received high critical praise, as have his acclaimed series of Stravinsky ballets, symphony cycles of Robert Schumann, Gustav Mahler and Dmitri Shostakovich as well as orchestral works of Richard Wagner, Richard Strauss and Rimsky-Korsakov.

More than 50 discs featuring Gerard Schwarz and the Seattle Symphony – with works by 54 composers ranging from the Baroque to contemporary periods – were released in the last two years on Naxos, Delos, Artek and Brilliance Audio. Representing the breadth and depth of the conductor’s vast repertoire, the recordings vary in genre, including major 20th century ballets by Stravinsky, Strauss, Bartók, Ravel and Prokofiev, as well as multi-disc cycles of works by Schumann, Strauss, Wagner and Stravinsky. Schwarz’ dedication to the promotion of American music is also represented with recordings featuring the works of 26 American composers.

The Hanson cycle, first released on Delos, was a mainstay on Billboard’s classical music best-selling list for 41 weeks, including six weeks at number three; earned Grammy nominations and was named 1989 Record of the Year by Stereo Review. The new Russian series on Naxos has been acclaimed as “a high point in the extensive Schwarz/Seattle discography” (Classics Today), “very fine” (The Guardian) and “a powerhouse in Russian Romantic repertoire” (Music Web International). In addition to his numerous recordings with the Seattle Symphony, he has also recorded with the Berlin Radio Symphony, Czech Philharmonic, English Chamber Orchestra, Juilliard Orchestra, London Symphony, Los Angeles Chamber Symphony, New York Chamber Symphony, Orchestre National de France, Philadelphia Orchestra, Royal Liverpool Philharmonic, Tokyo Philharmonic and, of course, Eastern Music Festival. His most recent release is of Rimsky-Korsakov’s 1st and 3rd Symphonies with the Berlin Radio Symphony Orchestra.

The Maestro’s long-standing commitment to education continues through his partnership with the All-Star Orchestra and Kahn Academy, the ground breaking organization that provides a free world-class education to anyone anywhere. Thus far their educational platform has reached 3.5 million students.

A gifted composer and arranger, Schwarz has expanded his compositional activities in recent years. His Trio for Violin, Horn and Piano was called a work of “sophistication and intelligence” by critic R.M. Campbell. Earlier works include In Memoriam and Rudolf and Jeanette (dedicated to the memory of his grandparents who perished in the Holocaust), both recorded by Naxos; Human Spirit, a composition for children’s choir and orchestra and his duos for violin and cello were called “redolent of the gentle humanism central to much of the music Schwarz loves to conduct” by The Seattle Times. His arrangements of suites from Strauss’ Der Rosenkavalier, Debussy’s Pelléas et Mélisande and Humperdinck’s Hansel and Gretel as well as many orchestral works are programmed in concerts worldwide. A Journey, a large scale orchestral tone poem, was commissioned by Dave Gannet and received its world premiere at the Eastern Music Festival in July 2012. Schwarz’s work for concert band Above and Beyond was premiered by the United States Marine Band in 2013 and is now available on Naxos. His newest work for that ensemble, a transcription of Rudolf and Jeannette, was premiered in February 2016. His orchestral work A Poem was recently given its first performance by the Hartford Symphony.

A sought-after guest conductor, Schwarz has led the most renowned orchestras throughout the world. He is also known for his operatic performances in addition to his concert work, having appeared with the Juilliard Opera, Kirov Opera, Mostly Mozart Festival, San Francisco Opera, Seattle Opera (where he has led 21 productions) and Washington National Opera conducting the operas of Wagner, Janáček, Strauss, Mozart, Bizet, Weber, Debussy, Bartók, Stravinsky, Beethoven and Gluck.

Born in America to Viennese parents, Schwarz began studying music at the age of 5 and soon focused on the trumpet. A graduate of both New York City's High School of Performing Arts and The Juilliard School, he joined the New York Philharmonic in 1972 as co-principal trumpet, a position he held until 1977. Schwarz’s numerous previous positions include music director of New York’s Mostly Mozart Festival, where he presided over sold-out houses, developed the orchestra’s international touring, maintained a nine-year residency in Japan, considerably expanded its Mozart repertoire and through its televised Live from Lincoln Center appearances earned several Emmy nominations. His tenure as music directorof the Royal Liverpool Philharmonic Orchestra (RLPO) initiated the long-standing partnership between the orchestra and Classic FM, expanded recordings on the RLPO Live label, initiated a new partnership with Avie records, created the enormously popular Sunday matinee Musically Speaking concert series, led highly acclaimed tours to Spain and Prague and brought the orchestra to National Television in BBC Proms broadcasts. As music director of the Los Angeles Chamber Orchestra and New York Chamber Symphony he expanded concert series and audiences, made award-winning recordings and championed new works. In addition he served as artistic advisor to the Tokyo Philharmonic.

Gerard Schwarz completed his final season as music director of the Seattle Symphony in 2011 after an acclaimed 26 years. During his leadership, Schwarz was instrumental in the building of Benaroya Hall, spearheading efforts that resulted in the acoustically superb new home for the Seattle Symphony. The many legacies of his extraordinary leadership include a critically acclaimed discography of more than 140 recordings; numerous television programs and concert broadcasts resulting in two Emmy Awards; major strides in music education programs including new series and the successful Soundbridge Seattle Symphony Music Discovery Center; regular programming of innovative themed festival weeks; in addition to dramatically increased audience attendance and classical subscription weeks. Schwarz’ final season in Seattle was emblematic of the conductor’s passionate dedication and support for contemporary music, with a total of 22 world premieres, 18 of these premieres being a part of the Gund/Simonyi Farewell Commissions, an unprecedented commissioning initiative celebrating his farewell season as music director.

In his nearly five decades as a respected classical musician and conductor, Schwarz has received hundreds of honors and accolades. Over the years, he has received four Emmy Awards, 14 Grammy nominations, eight ASCAP Awards and numerous Stereo Review and Ovation Awards. He holds the Ditson Conductor’s Award from Columbia University, was the first American named conductor of the year by Musical America and has received numerous honorary doctorates, including from his alma mater, The Juilliard School. In 2002 the American Society of Composers, Authors and Publishers honored Schwarz with its Concert Music Award and in 2003 the National Academy of Recording Arts & Sciences gave Schwarz its first IMPACT lifetime achievement award.

Active in music advocacy on a national and state level, he served on the National Council of the Arts and is honorary chairman of the Board of Young Musicians Excelling, an organization in Washington State which supports music education in the Pacific Northwest. Most recently, the City of Seattle recognized his outstanding achievements by naming the street alongside the Benaroya Hall “Gerard Schwarz Place” and the State of Washington gave him the honorary title of “General” for his extraordinary contributions as an artist and citizen.

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