Young Artists Orchestra

Young Artists Orchestra Series
Venue / Time
Guilford College - Dana Auditorium
8:00pm
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Friday, July 14
Prokofiev
Selections from Romeo and Juliet, op.64

     EMF Conducting Fellows

Haydn
Sinfonia Concertante in B-flat Major, Hob.I:105

Allegro
Andante
Allegro con spirito

          Randall Ellis, oboe
          George Sakakeeny, bassoon
          Nigel Armstrong, violin
          Neal Cary, cello

Intermission
Strauss
Tod und Verklärung. op.24, TrV 158 (Death and Transfiguration)

Bassoonist George Sakakeeny has appeared as a soloist with orchestras throughout North and South America, Europe, and the Far East. Three major works for bassoon and orchestra have been commissioned for him: Libby Larsen’s "full moon in the city" (2013), Peter Schickele’s Bassoon Concerto (1998), and Viennese composer Alexander Blechinger’s "Faggottkonzert" (1997). As a soloist he has recorded two CDs of concerti with orchestra, including all three of the works mentioned above in addition to other works.

In addition to his position of Professor of Bassoon at the Oberlin Conservatory, Sakakeeny holds titles at Simon Bolivar University in Caracas, Venezuela, and the Central Conservatory of Music of Beijing, China. In the past he held the principal bassoon positions of the New Japan Philharmonic, the Handel & Haydn Society of Boston, the Opera Company of Boston, the Promusica Chamber Orchestra, the Grand Teton Music Festival, the New Hampshire Music Festival, the Peninsula Festival, and performed extensively with the Boston Symphony and Boston Pops Orchestras.

Sakakeeny's former students hold positions in symphony orchestras, chamber ensembles, and universities throughout North and South America and the Far East. As a guest he has taught master classes at leading institutions such as the Paris Conservatory, the Juilliard School, Rice University, Tokyo University of the Fine Arts, Central Conservatory of Music in Beijing, Shanghai Conservatory of Music, Seoul National University, and the Conservatoire National Supérieur Musique et Danse of Lyon, France. He is the author of the iBook "Making Reeds Start to Finish with George Sakakeeny."

Grant Cooper has served as Artistic Director and Conductor of the West Virginia Symphony Orchestra since 2001, where he has conducted close to 750 public performances. He was formerly Resident Conductor of the Syracuse Symphony Orchestra for ten seasons. He also serves as Artistic Director of the Bach and Beyond Festival, and for several summers led the Anchorage Festival of Music in Alaska. As a conductor, Mr. Cooper is noted for his affinity for the music of virtually every era.

Born in Wellington, New Zealand, the son of a professional opera singer, Cooper sang and acted in his first opera at age four. After completing his degree in Pure Mathematics at the University of Auckland, his performing career as a trumpeter took him to Beijing, London, and many major concert halls of the world. In 1976, Mr. Cooper accepted a fellowship from the Queen Elizabeth II Arts Council for trumpet study with Bernard Adelstein and Gerard Schwarz in the United States, where he also held a fellowship at Tanglewood.

Mr. Cooper was guest conductor of the XIVth Commonwealth Games closing ceremonies, appearing with Dame Kiri Te Kanawa as soloist. Mr. Cooper's collaborations with artists such as Hilary Hahn, Midori, Elmar Oliviera, Barry Douglas, and Deborah Voigt have prompted critical praise for his skills as an accompanist.

Mr. Cooper has been a frequent guest conductor for many American symphonies, including Houston, Buffalo, Rochester, Spokane, Kansas City, New Mexico, and Chautauqua. In recent seasons he made his debut appearances as guest conductor with the Jacksonville, Elgin, and Wichita symphonies. A gifted opera conductor, his recent repertoire includes Cosi fan tutteThe Marriage of FigaroThe Barber of SevilleToscaLa bohème, and Carmen. For several summers, he has conducted the ballet season at Chautauqua Institution, NY, featuring Charlotte Ballet’s recreations of George Balanchine’s choreography.

As a composer, Cooper’s recent original music includes A Song of Longing, Though…, for soprano and orchestra and On the Appalachian Trail, a ballet. Mr. Cooper’s original scores for two Charlie Chaplin films: The Immigrant and Easy Street, was premiered in March, 2009 and has since been performed by several orchestras on their Pops and Coffee series.

Mr. Cooper is especially passionate about creating works designed to introduce young audiences to the orchestra, including such works as Rumpelstiltzkin for narrator and orchestra, Goldilocks and the Three BearsBoyz in the Wood, for coloratura soprano and rap singer, and Song of the Wolf, for folk singer and orchestra. His educational music is an eclectic blend of modern and established styles with interactive participation of the audience, a compositional style that reflects his belief that orchestral music is a living, vital, and relevant part of our society, able to be appreciated by all.

Cooper was awarded the National Symphony Orchestra Chamber Music Commission following competitive adjudication as part of the 2010 American Residency program of the NSO. His new work, Octagons, for Clarinet and String Quartet, was premiered at the Kennedy Center in Washington, DC in May of 2012.

Cooper’s dedication to serving the West Virginia arts community was recognized in the spring of 2012 when he received the Governor’s Award for Distinguished Service in the Arts.

Mr. Cooper has recorded for Delos International, Atoll, Ode, Mark, and Kiwi Pacific recordings.

Cellist NEAL CARY joined the EMF faculty in 1984 and has served as principal cellist of the Eastern Music Festival since 1988. He has been principal cellist with the Richmond Symphony since 1988, and has been on the performing artist faculty at the College of William and Mary since 1991. He has also served as principal cellist of the Williamsburg Symphonia since 2002. Since 1989, he has been a member of the Richmond Chamber Players, which performs chamber music concerts every Sunday in August.

Previous to Mr. Cary's employment in the Richmond Symphony, he was co-principal cellist of the Kansas City Philharmonic and assistant principal cellist of the Tulsa Philharmonic, the San Antonio Symphony, and the Denver Symphony orchestras. From 1994 -98, he was on the adjunct faculty at Virginia Commonwealth University.

Neal Cary's major teachers have included Robert Newkirk, Channing Robbins, and the world-renowned Leonard Rose. Mr. Cary holds a M.M. from The Juilliard School of Music.
Notable recital performances in the Richmond area include performances from memory of the 40 Popper Études and all the Bach Suites for Solo Cello.

Concerto performances include nearly 50 performances of most of the major cello concertos, unusual works, and a world premier with orchestras on the East Coast. YouTube videos of Mr. Cary include a live performance of the Elgar Cello Concerto, a performance of the Saint-Saëns Concerto No. 2, and a video lesson on the Saint-Saëns.

Randall Ellis attended the North Carolina School of the Arts and the State University of New York at Stony Brook where he studied with Ronald Roseman. He is principal oboist of Lincoln Center’s Mostly Mozart Festival Orchestra, Little Orchestra Society, and is solo English horn in the New York Pops Orchestra. He is the oboist in Windscape Woodwind Quintet, artists in residence at the Manhattan School of Music. He was principal oboist of the New York Chamber Symphony and received two Grammy nominations, including one for his recording of Howard Hanson’s Pastorale. He has performed with the New York Philharmonic, Seattle Symphony, San Diego Symphony, Florida Orchestra, and the American Symphony Orchestra. Mr. Ellis has appeared as a guest artist with the Orpheus Chamber Orchestra and has concertized and recorded with the Chamber Music Society of Lincoln Center. He has been a soloist with the New England Bach Festival, the International Bach Festival of Madeira, the Philharmonia Virtuosi of New York, and Chamber Music at the 92nd Street Y. Mr. Ellis has freelanced with the Ensemble Wien-Berlin, Orchestra of St. Luke’s, the New York Philomusica and the Orchestras of the Martha Graham, Paul Taylor, and the American Ballet Theatre dance companies. Mr. Ellis has appeared on NBC’s Today Show, CBS’s Sunday Morning, and many times on PBS’s Live from Lincoln Center. His performances have been heard on National Public Radio, European radio, and NHK Radio and TV in Japan. Mr. Ellis has recorded for EMI/Angel, Columbia, Sony, RCA, Vox, Nonesuch, CRI, Pro Arte, Delos, and Deutsche Grammophon. He has performed with Winton Marsalis at Jazz at Lincoln Center and on Broadway in the orchestra for the musical Wicked. He teaches oboe and chamber music at Skidmore College in Saratoga Springs, New York.

Nigel Armstrong is emerging as a dynamic and creative artist both within and beyond the realm of classical music. From his musical beginnings as a member of "The Little Fiddlers" in Sonoma, CA to collaborations with tango musicians in Argentina he's enjoyed using the violin in a versatile manner throughout his life.

As soloist Nigel has performed with orchestras such as the Dusseldorf Symphony, the Los Angeles Chamber Orchestra, the St. Petersburg Philharmonic, YOA Orchestra of the Americas, and the Boston Pops, and with conductors including Sir Neville Marriner and Carlos Miguel Prieto. He received the 2nd Prize, the Ole Bull Prize, and the Nordheim Award at the 2010 Menuhin Competition Senior Division in Oslo, Norway, and got the 4th Prize plus the Prize for the Best Performance of the Commissioned Work (STOMP, by John Corigliano) at the XIV International Tchaikovsky Competition. As a chamber musician his concerts have taken him across the US and abroad--highlights have included opportunities to share the stage with the Tokyo String Quartet and pianist Jonathan Biss. 
Nigel feels fortunate to have had the chance to explore great orchestral literature throughout his career. Since 2009 he's appeared as concertmaster with the Colburn Orchestra, LA's American Youth Symphony, the Curtis Symphony Orchestra, YOA Orchestra of the Americas, and the New York String Orchestra in their annual Carnegie hall performances. Beginning in the 2016/17 season he serves as concertmaster of the Santa Cruz Symphony.

A graduate of the Colburn School and the Curtis Institute of Music, Nigel's teachers have included Arnold Steinhardt, Robert Lipsett, Zaven Melikian, and Donald Weilerstein, among others. He also recently had the opportunity to live with and learn from the Plum Village community founded by Buddhist monk Thich Nhat Hanh, where he spent a year working on their organic farm and taking part in their daily life, an experience for which he continues to be grateful.

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