The Magic of Mozart - Orchestra Gala
Opening Night Gala Concert
ANNA KATE MACKLE
Shannon Scott, clarinet
Anna Kate Mackle, harp; Les Roettges, flute
Maestro Gerard Schwarz opens EMF's 55th orchestral season in an All-Mozart performance that features the Eastern Festival Orchestra and both Young Artist Orchestras. Soloists are faculty members Shannon Scott (clarinet); Anna Kate Mackle (harp) and Les Roettges (flute).
Ms. Anna Kate Mackle has been the principal harpist with The Florida Orchestra since 1999. A former EMF student, she has been on the faculty of Eastern Music Festival since 2000. She has been a featured concerto soloist with The Florida Orchestra four times, performing Ravel's Introduction and Allegro, Rodrigo's Concierto de Aranjuez, Ginastera's Harp Concerto, and Takemitsu's Toward the Sea II. She has also performed concerti with Eastern Festival Orchestra, New World Symphony, Wheeling Symphony, Mansfield Symphony Orchestra, Baldwin-Wallace College Symphony Orchestra, and New Jersey Youth Symphony.
Ms. Mackle was previously principal harpist of the New World Symphony, the National Repertory Orchestra, Spoleto Festivals (Italy and USA), Sarasota Opera Orchestra,Ohio Light Opera Orchestra and Colorado Music Festival.
Ms. Mackle has a B.M. from Baldwin-Wallace College and a M.M. from the Cleveland Institute of Music, studying with Alice Chalifoux at both institutions. In high school she attended the Mannes and Manhattan Schools of Music in the preparatory divisions.
Ms. Mackle has toured with Josh Groban, Chris Botti, Frank Sinatra, Jr., and has performed with several touring Broadway shows. She is also the principal harpist with St. Petersburg Opera and Opera Tampa, is on the faculty of St. Petersburg College, and was named one of Tampa Bay's top ten female musicians by Creative Loafing magazine in 2007.
Ms. Mackle is married to John Shaw, principal percussion of Eastern Music Festival and The Florida Orchestra. They live in St. Petersburg, Florida with their daughter Madeline and two cats.
2018 marks GERARD SCHWARZ’ 14th year with EMF. He joined EMF as Music Advisor in 2005, became Principal Conductor in 2006 and music director in 2008.
Schwarz is music director of The All-Star Orchestra, an ensemble of top musicians from America’s leading orchestras which includes eight members of the EMF faculty. The All-Star Orchestra is featured in 16 television shows that have aired throughout the U.S. on PBS reaching millions of viewers with over 2,000 broadcasts per year. It is the basis for their Khan Academy education platform serving over six million students. As in baseball, Schwarz created an “all-star” team of top musicians to encourage a greater understanding and enjoyment of classical music. All shows have been released by Naxos and have been awarded six Emmy Awards and the Deems Taylor Television Broadcast Award from the American Society of Composers, Authors and Publishers.
Schwarz is also music director of the Mozart Orchestra of New York, conductor emeritus of the Mostly Mozart Festival and conductor laureate of the Seattle Symphony. He is a renowned interpreter of 19th century German, Austrian and Russian repertoire, in addition to his noted work with contemporary American composers, and performs internationally as guest conductor with the world's most renowned orchestras.
2017 marked his 70th birthday year and was celebrated by the release of his much-anticipated book Gerard Schwarz: Behind the Baton. An American Icon talks Music and the internationally critically acclaimed 30 CD boxed set by Naxos, The Gerard Schwarz Collection containing previously unreleased and limited release works spanning his entire recording career.
With more than 300 world premieres to his credit, Schwarz has always felt strongly about commissioning and performing new music. As EMF Music Director, he initiated the Bonnie McElveen-Hunter 10-year Commissioning Project that has thus far commissioned John Corigliano, Richard Danielpour, Lowell Liebermann, André Previn and HyeKyung Lee.
During Schwarz’ tenure with the Festival, he has expanded audiences to the largest in its history, incorporated a composer in residence program, developed three new concert series and added new educational initiatives. The Festival Orchestra has also recorded a critically praised recording of the music of Alan Hovhaness for Naxos.
A prolific recording artist, Schwarz’s total discography numbers over 350. His pioneering cycles of American symphonists such as William Schuman, David Diamond, and Howard Hanson have received high critical praise, as have his acclaimed series of Stravinsky ballets, symphony cycles of Robert Schumann, Gustav Mahler and Dmitri Shostakovich as well as orchestral works of Wagner, Strauss, and Rimsky-Korsakov.
More than 50 discs featuring Gerard Schwarz and the Seattle Symphony – with works by 54 composers ranging from the Baroque to contemporary periods – were released in the last four years on Naxos, Delos, Artek and Brilliance Audio. Representing the breadth and depth of the conductor’s vast repertoire, the recordings vary in genre, including major 20th-century ballets by Stravinsky, Strauss, Bartók, Ravel, and Prokofiev, as well as multi-disc cycles of works by
Schumann, Strauss, Wagner, and Stravinsky. Schwarz’ dedication to the promotion of American music is also represented with recordings featuring the works of 26 American composers.
The Hanson cycle, first released on Delos, was a mainstay on Billboard’s classical music best-selling list for 41 weeks; earned Grammy nominations and was named 1989 Record of the Year by Stereo Review. The new Russian series on Naxos has been acclaimed as “a high point in the extensive Schwarz/Seattle discography” (Classics Today), “very fine” (The Guardian) and “a powerhouse in Russian Romantic repertoire” (Music Web International). In addition to his numerous recordings with the Seattle Symphony, he has also recorded with the Berlin Radio Symphony, Czech Philharmonic, English Chamber Orchestra, Juilliard Orchestra, London Symphony, Los Angeles Chamber Symphony, New York Chamber Symphony, Orchestre National de France, Philadelphia Orchestra, Royal Liverpool Philharmonic, Tokyo Philharmonic and, of course, EMF. His most recent release is of Rimsky-Korsakov’s 1st and 3rd Symphonies with the Berlin Radio Symphony Orchestra.
The Maestro’s long-standing commitment to education continues through his partnership with The All-Star Orchestra and Kahn Academy, the ground-breaking organization that provides a free world-class education to anyone anywhere. Thus far their educational platform has reached over 6 million students.
A gifted composer and arranger, Schwarz has expanded his compositional activities in recent years. His Trio for Violin, Horn, and Piano was called a work of “sophistication and intelligence” by The Seattle Post Intelligencer. Earlier works include In Memoriam and Rudolf and Jeanette (dedicated to the memory of his grandparents who perished in the Holocaust), both recorded by Naxos; Human Spirit, a composition for choir and orchestra and his duos for violin and cello was called “redolent of the gentle humanism central to much of the music Schwarz loves to conduct” by The Seattle Times.
His arrangements of suites from Strauss’ Der Rosenkavalier, Debussy’s Pelléas et Mélisande and Humperdinck’s Hansel and Gretel as well as many orchestral works are programmed in concerts worldwide. A Journey, a large-scale orchestral tone poem, was commissioned by Dave Gannet and received its world premiere at EMF in July 2012. Above and Beyond, Schwarz’s work for concert band was premiered by the U.S. Marine Band in 2013 and is now available on Naxos. His newest work for that ensemble, a new version of Rudolf and Jeannette, was premiered in February 2016. His orchestral work A Poem was recently given its first performance by the Hartford Symphony. Last season presented premieres at Barge Music in New York and with The Symphonia, Boca Raton in Florida.
A sought-after guest conductor, Schwarz has led the most renowned orchestras throughout the world. He is also known for his operatic performances in addition to his concert work, having appeared with the Juilliard Opera, Kirov Opera, Mostly Mozart Festival, San Francisco Opera, Seattle Opera and Washington National Opera conducting the operas of Wagner, Verdi, Janáček, Strauss, Mozart, Bizet, Weber, Debussy, Bartók, Stravinsky, Beethoven and Gluck.
Born in America to Viennese parents, Schwarz began studying piano at the age of 5 and soon focused on the trumpet. A graduate of both New York City's High School of Performing Arts and The Juilliard School, he joined the New York Philharmonic in 1972 as co-principal trumpet, a position he held until 1977. Schwarz’s numerous previous positions include music director of New York’s Mostly Mozart Festival (1982-2001), where he presided over sold-out houses, developed the orchestra’s international touring, maintained a nine-year residency in Tokyo, considerably expanded its Mozart repertoire lead numerous televised Live from Lincoln Center appearances. His tenure as music director of the Royal Liverpool Philharmonic Orchestra initiated the long-standing partnership between the orchestra and Classic FM, expanded recordings on the RLPO Live label, initiated a new partnership with Avie records created the enormously popular Sunday matinee Musically Speaking concert series, led highly acclaimed tours to Spain and Prague and brought the orchestra to National Television in BBC Proms broadcasts. As music director of the Los Angeles Chamber Orchestra and New York Chamber Symphony, he expanded concert series and audiences, made award-winning recordings and championed new works. In addition, he served as artistic advisor to the Tokyo Philharmonic.
Gerard Schwarz completed his final season as music director of the Seattle Symphony in 2011 after an acclaimed 26 years. During his leadership, Schwarz was instrumental in the building of Benaroya Hall, spearheading efforts that resulted in the acoustically superb new home for the Seattle Symphony. The many legacies of his extraordinary leadership in Seattle include a critically acclaimed discography of more than 140 recordings; numerous television programs and concert broadcasts resulting in two Emmy Awards; major strides in music education programs including new series and the successful Soundbridge Seattle Symphony Music Discovery Center; regular programming of innovative themed festival weeks; in addition to dramatically increased audience attendance and classical subscription weeks. Schwarz’ final season in Seattle was emblematic of the conductor’s passionate dedication and support for contemporary music, with a total of 22 world premieres, 18 of these premieres being a part of the Gund/Simonyi Farewell Commissions, an unprecedented commissioning initiative celebrating his farewell season as music director.
In his nearly five decades as a respected classical musician and conductor, Schwarz has received hundreds of honors and accolades. Over the years, he has received six Emmy Awards, 14 Grammy nominations, 8 ASCAP Awards and numerous Stereo Review and Ovation Awards. He holds the Ditson Conductor’s Award from Columbia University, was the first American named conductor of the year by Musical America and has received numerous honorary doctorates, including from his alma mater, The Juilliard School. In 2002 the American Society of Composers, Authors and Publishers honored Schwarz with its Concert Music Award and in 2003 the National Academy of Recording Arts & Sciences gave Schwarz its first IMPACT lifetime achievement award.
Active in music advocacy on a national and state level, he served on the National Council of the Arts and is honorary chairman of the Board of Young Musicians Excelling, an organization in Washington State which supports music education in the Pacific Northwest. The City of Seattle recognized his outstanding achievements by naming the street alongside the Benaroya Hall “Gerard Schwarz Place” and the State of Washington gave him the honorary title of “General” for his extraordinary contributions as an artist and citizen.
Les Roettges has been the principal flute for the Eastern Music Festival since 2002 and also serves as the coordinator for the faculty chamber series. During the year he is the principal flute for the Jacksonville Symphony Orchestra. He is also the second flute for Maestro Schwarz’s All-Star Orchestra project. A native of Ohio, Mr. Roettges became a student of The Cleveland Orchestra's Maurice Sharp at age 15. He holds a bachelor's degree from the New England Conservatory and a master's from The Juilliard School, and he studied for a year in Paris. His teachers include Paula Robison, Julius Baker, Alain Marion, and Robert Stallman. Mr. Roettges was the winner of the first annual James Papoutsakis Memorial Flute Competition. He is a regular participant in the Amelia Island (FL) Chamber Festival, and the Saint Augustine (FL) Festival and has participated in the Colorado Music Festival, the Bowdoin (Maine) Chamber Music Festival, and the Los Angeles Philharmonic Institute. Before taking the position in Jacksonville, he performed as the principal flute for the Philharmonic Orchestra of Mexico City, Solisti New York, the Opera Ensemble of New York, Bel Canto Opera Company of New York, the Boston Philharmonic, and many other freelance orchestras in New York and Boston.
Shannon Scott is the assistant professor of Clarinet and Music History and clarinetist for Solstice Wind Quintet at Washington State University School of Music. In the summers Scott teaches and performs as principal clarinetist of the Eastern Music Festival in North Carolina and at the Red Lodge Music Festival in Red Lodge, Montana. As part of the Scott/Garrison Duo with flutist Leonard Garrison, Scott is active in commissioning and performing new music for the ensemble. She is principal clarinet of the Walla Walla Symphony and has also performed with the Spokane and Washington-Idaho symphonies.
Before joining the WSU faculty, Dr. Scott taught clarinet and Survey of Music in Fall 2006 and performed with the Northwest Winds Woodwind Quintet at the University of Idaho. From 1988 to 2006, she served as principal clarinetist of the Tulsa Opera and the Tulsa Philharmonic Orchestra. While in Tulsa, Dr. Scott taught clarinet at the University of Tulsa, Northeastern State University, and Tulsa Community College.
Dr. Scott holds degrees from Juilliard, Ecole Normale de Musique de Paris, Conservatoire Regional Marcel Dupre, Yale University, and Northwestern University. Her major clarinet teachers were Robert Marcellus, Keith Wilson, and Stanley Drucker. Before joining the Tulsa Philharmonic she was associate principal clarinet of the Orchestra of the Opera of Lyon, second clarinet for the Grant Park Symphony in Chicago, and played in the Marlboro Music Festival, where she participated in Music from Marlboro tours and recorded for the Marlboro Recording Society.
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