Eastern Festival Orchestra

Festival Orchestra Series
Venue / Time
Guilford College - Dana Auditorium
8:00 PM
Featuring

GERARD SCHWARZ
CONDUCTOR

CYNTHIA PHELPS
VIOLA

JASON VIEAUX
GUITAR

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Friday, December 15
RAVEL
Alborada del gracioso
JULIA ADOLPHE (B.1988)
Concerto for Viola

Cynthia Phelps, viola

Intermission
RODRIGO
Fantasia para un Gentilhombre

Villano y Ricercare: Adagietto – Andante moderato
Españolet and Fanfare for the Cavalry: Adagio – Allegretto molto ritmico
Dance of the Axes: Allegro con brio
Canario: Allegro ma non troppo

Jason Vieaux, guitar

GERARD SCHWARZ enters his 13th year with the Eastern Music Festival in 2017. He joined the Festival as music advisor in 2005, became principal conductor in 2006 and music director in 2008.

He also serves as music director of the All-Star Orchestra, an ensemble of top musicians from America’s leading orchestras which includes eight members of the EMF faculty. All-Star Orchestra is featured in a new television series that has aired throughout the United States on PBS reaching 3.5 million viewers. It is the basis for their Khan Academy education platform. As in baseball, Schwarz created an “all-star” team of top musical athletes who have thus far recorded 12 episodes to encourage a greater understanding and enjoyment of classical music. All 12 programs have been released by Naxos and have been awarded four Emmy Awards and the Deems Taylor Television Broadcast Award from the American Society of Composers, Authors and Publishers.

Schwarz is conductor laureate of the Seattle Symphony and is a renowned interpreter of 19th century German, Austrian and Russian repertoire, in addition to his noted work with contemporary American composers.

With more than 300 world premieres to his credit, Schwarz has always felt strongly about commissioning and performing new music. As EMF music director he initiated the Bonnie McElveen-Hunter Commissioning Project that has thus far commissioned John Coriglian, Richard Danielpour and Lowell Lieberman. In all, McElveen-Hunter has committed to 10 new works from American composers.

During Schwarz’ tenure with the Festival, he has expanded audiences to the largest in its history, incorporated a composer in residence program, developed three new concert series and added new educational initiatives. The Festival Orchestra has also recorded a critically praised recording of the music of Alan Hovhaness for Naxos.

A prolific recording artist, Schwarz’s total discography numbers over 350. His pioneering cycles of American symphonists such as William Schuman, David Diamond and Howard Hanson have received high critical praise, as have his acclaimed series of Stravinsky ballets, symphony cycles of Robert Schumann, Gustav Mahler and Dmitri Shostakovich as well as orchestral works of Richard Wagner, Richard Strauss and Rimsky-Korsakov.

More than 50 discs featuring Gerard Schwarz and the Seattle Symphony – with works by 54 composers ranging from the Baroque to contemporary periods – were released in the last two years on Naxos, Delos, Artek and Brilliance Audio. Representing the breadth and depth of the conductor’s vast repertoire, the recordings vary in genre, including major 20th century ballets by Stravinsky, Strauss, Bartók, Ravel and Prokofiev, as well as multi-disc cycles of works by Schumann, Strauss, Wagner and Stravinsky. Schwarz’ dedication to the promotion of American music is also represented with recordings featuring the works of 26 American composers.

The Hanson cycle, first released on Delos, was a mainstay on Billboard’s classical music best-selling list for 41 weeks, including six weeks at number three; earned Grammy nominations and was named 1989 Record of the Year by Stereo Review. The new Russian series on Naxos has been acclaimed as “a high point in the extensive Schwarz/Seattle discography” (Classics Today), “very fine” (The Guardian) and “a powerhouse in Russian Romantic repertoire” (Music Web International). In addition to his numerous recordings with the Seattle Symphony, he has also recorded with the Berlin Radio Symphony, Czech Philharmonic, English Chamber Orchestra, Juilliard Orchestra, London Symphony, Los Angeles Chamber Symphony, New York Chamber Symphony, Orchestre National de France, Philadelphia Orchestra, Royal Liverpool Philharmonic, Tokyo Philharmonic and, of course, Eastern Music Festival. His most recent release is of Rimsky-Korsakov’s 1st and 3rd Symphonies with the Berlin Radio Symphony Orchestra.

The Maestro’s long-standing commitment to education continues through his partnership with the All-Star Orchestra and Kahn Academy, the ground breaking organization that provides a free world-class education to anyone anywhere. Thus far their educational platform has reached 3.5 million students.

A gifted composer and arranger, Schwarz has expanded his compositional activities in recent years. His Trio for Violin, Horn and Piano was called a work of “sophistication and intelligence” by critic R.M. Campbell. Earlier works include In Memoriam and Rudolf and Jeanette (dedicated to the memory of his grandparents who perished in the Holocaust), both recorded by Naxos; Human Spirit, a composition for children’s choir and orchestra and his duos for violin and cello were called “redolent of the gentle humanism central to much of the music Schwarz loves to conduct” by The Seattle Times. His arrangements of suites from Strauss’ Der Rosenkavalier, Debussy’s Pelléas et Mélisande and Humperdinck’s Hansel and Gretel as well as many orchestral works are programmed in concerts worldwide. A Journey, a large scale orchestral tone poem, was commissioned by Dave Gannet and received its world premiere at the Eastern Music Festival in July 2012. Schwarz’s work for concert band Above and Beyond was premiered by the United States Marine Band in 2013 and is now available on Naxos. His newest work for that ensemble, a transcription of Rudolf and Jeannette, was premiered in February 2016. His orchestral work A Poem was recently given its first performance by the Hartford Symphony.

A sought-after guest conductor, Schwarz has led the most renowned orchestras throughout the world. He is also known for his operatic performances in addition to his concert work, having appeared with the Juilliard Opera, Kirov Opera, Mostly Mozart Festival, San Francisco Opera, Seattle Opera (where he has led 21 productions) and Washington National Opera conducting the operas of Wagner, Janáček, Strauss, Mozart, Bizet, Weber, Debussy, Bartók, Stravinsky, Beethoven and Gluck.

Born in America to Viennese parents, Schwarz began studying music at the age of 5 and soon focused on the trumpet. A graduate of both New York City's High School of Performing Arts and The Juilliard School, he joined the New York Philharmonic in 1972 as co-principal trumpet, a position he held until 1977. Schwarz’s numerous previous positions include music director of New York’s Mostly Mozart Festival, where he presided over sold-out houses, developed the orchestra’s international touring, maintained a nine-year residency in Japan, considerably expanded its Mozart repertoire and through its televised Live from Lincoln Center appearances earned several Emmy nominations. His tenure as music directorof the Royal Liverpool Philharmonic Orchestra (RLPO) initiated the long-standing partnership between the orchestra and Classic FM, expanded recordings on the RLPO Live label, initiated a new partnership with Avie records, created the enormously popular Sunday matinee Musically Speaking concert series, led highly acclaimed tours to Spain and Prague and brought the orchestra to National Television in BBC Proms broadcasts. As music director of the Los Angeles Chamber Orchestra and New York Chamber Symphony he expanded concert series and audiences, made award-winning recordings and championed new works. In addition he served as artistic advisor to the Tokyo Philharmonic.

Gerard Schwarz completed his final season as music director of the Seattle Symphony in 2011 after an acclaimed 26 years. During his leadership, Schwarz was instrumental in the building of Benaroya Hall, spearheading efforts that resulted in the acoustically superb new home for the Seattle Symphony. The many legacies of his extraordinary leadership include a critically acclaimed discography of more than 140 recordings; numerous television programs and concert broadcasts resulting in two Emmy Awards; major strides in music education programs including new series and the successful Soundbridge Seattle Symphony Music Discovery Center; regular programming of innovative themed festival weeks; in addition to dramatically increased audience attendance and classical subscription weeks. Schwarz’ final season in Seattle was emblematic of the conductor’s passionate dedication and support for contemporary music, with a total of 22 world premieres, 18 of these premieres being a part of the Gund/Simonyi Farewell Commissions, an unprecedented commissioning initiative celebrating his farewell season as music director.

In his nearly five decades as a respected classical musician and conductor, Schwarz has received hundreds of honors and accolades. Over the years, he has received four Emmy Awards, 14 Grammy nominations, eight ASCAP Awards and numerous Stereo Review and Ovation Awards. He holds the Ditson Conductor’s Award from Columbia University, was the first American named conductor of the year by Musical America and has received numerous honorary doctorates, including from his alma mater, The Juilliard School. In 2002 the American Society of Composers, Authors and Publishers honored Schwarz with its Concert Music Award and in 2003 the National Academy of Recording Arts & Sciences gave Schwarz its first IMPACT lifetime achievement award.

Active in music advocacy on a national and state level, he served on the National Council of the Arts and is honorary chairman of the Board of Young Musicians Excelling, an organization in Washington State which supports music education in the Pacific Northwest. Most recently, the City of Seattle recognized his outstanding achievements by naming the street alongside the Benaroya Hall “Gerard Schwarz Place” and the State of Washington gave him the honorary title of “General” for his extraordinary contributions as an artist and citizen.

Jason Vieaux, "among the elite of today's classical guitarists" (Gramophone), is the classical guitarist that goes beyond the classical. He has earned a reputation for putting his expressive gifts and virtuosity at the service of a remarkably wide range of music, and his schedule of recital, concerto, chamber music, teaching and recording commitments is distinguished with return engagements throughout the U.S. and abroad. Vieaux's solo recitals have been a feature at every major guitar series in North America, as well as many of the important guitar festivals in Asia, Australia, Europe, and Mexico. Recent and future highlights include returns to the Caramoor Festival, Philadelphia Chamber Music Society, and New York's 92nd Street Y. Vieaux's appearances for Chamber Music Society of Lincoln Center, Music@Menlo, Strings Music Festival, Grand Teton, and many others have forged his reputation as a first-rate chamber musician and programmer. He collaborates in recitals this season with Escher Quartet, acclaimed harpist Yolanda Kondonassis, and accordion/bandoneón virtuoso Julien Labro. Vieaux's passion for new music has fostered premieres of works by Dan Visconti, David Ludwig, Jerod Tate, Eric Sessler, José Luis Merlin and Gary Schocker.

Jason Vieaux has performed as concerto soloist with over 50 orchestras, including Cleveland, Houston, Toronto, San Diego, Ft. Worth, Santa Fe, Charlotte, Buffalo, Grand Rapids, Kitchener-Waterloo, Richmond, Edmonton, IRIS Chamber, Chamber Orchestra of Philadelphia, Chautauqua Festival, and New Hampshire Music Festival. Some of the conductors he has worked with include David Robertson, Miguel Harth-Bedoya, Jahja Ling, Stefan Sanderling, Michael Stern, David Lockington, Steven Smith, and Edwin Outwater.

Vieaux continues to bring important repertoire alive in the recording studio as well. His latest album, PLAY, a selection of audience favorites celebrating Vieaux's 20 years of professional touring, was released in January 2014 on Azica Records. Of PLAY, Soundboard Magazine writes, "If you ever want to give a friend a disc that will cement his or her love for the guitar, this is a perfect candidate," while Premier Guitar claims, "You'd be hard pressed to find versions performed with more confidence, better tone, and a more complete understanding of the material." Among his previous eleven commercial albums is an Azica disc of Astor Piazzolla's music with Julien Labro and A Far Cry Chamber Orchestra. Bach: Works for Lute, Vol.1 hit No. 13 on Billboard's Classical Chart after its first week and received rave reviews by Gramophone, The Absolute Sound, and Soundboard. Images of Metheny features music by American jazz legend Pat Metheny, who, after hearing this landmark recording, declared: "I am flattered to be included in Jason's musical world." Sevilla: The Music of Isaac Albeniz made several Top Ten lists the year of its release. Vieaux's albums and live performances are regularly heard on radio and internet around the world, and his work is the subject of feature articles in print and online around the world, including such magazines as Acoustic Guitar, MUSO, Gramophone, and on NPR's "Deceptive Cadence."

In 2012, the Jason Vieaux School of Classical Guitar was launched with ArtistWorks Inc., an unprecedented technological interface that provides one-on-one online study with Vieaux for guitar students around the world. In 2011, he co-founded the guitar department at The Curtis Institute of Music, and he has taught at the Cleveland Institute of Music since 2001.

Vieaux is a member of the Advisory Board of the Guitar Foundation of America, and is affiliated with Philadelphia's Astral Artists. His primary teachers were Jeremy Sparks and John Holmquist. In 1992 he was awarded the prestigious GFA International Guitar Competition First Prize, the event's youngest winner ever. He is also honored with a Naumburg Foundation top prize, a Cleveland Institute of Music Alumni Achievement Award, and a Salon di Virtuosi Career Grant. In 1995, Vieaux was an Artistic Ambassador of the U.S. to Southeast Asia.

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