Known worldwide for his signature sound and overt musicality, Demondrae has brought his remarkable skills to light as a soloist, educator, chamber musician, and conductor. As a frequently invited guest at many of the world's most noted festivals and conferences for Low Brass, his voice-like timbre reaches everyone in his audience. In addition to performing with many of the finest orchestras in the United States, Chamber Music is an integral component of Demondrae's career. Has performed on euphonium and trombone with the Philadelphia Big Brass, Proteus 7, Dallas Brass, and the Youngblood Brass Band- but his most celebrated collaboration is as first euphonium with the Sotto Voce Quartet. Demondrae has released three solo recordings, all of which have received stellar reviews. His latest album, Snapshots, received the Silver Medal for Best Album by Global Music Awards.

Currently, Demondrae is Professor of Music at the Indiana University Jacobs School of Music. The position was created for him to utilize his specific skills and expertise in euphonium and brass chamber music. He is also serves on the faculty of Samford University and has given masterclasses and clinics at many of the world's leading colleges and universities for low brass. 

Demondrae Thurman is a Miraphone Performing Artist and plays exclusively the Miraphone 5050 Ambassador Edition euphonium which was designed specifically for him.  He also plays the custom Demondrae model mouthpiece manufactured by Warburton Music Products and is a Shires Trombone Performing Artist.

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First Name: 
Demondrae
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Thurman

With varied experience as a recitalist, teacher, church musician and academician, André Lash, organ, brings to UNCG a wealth of musical viewpoints. A finalist in organ competitions in both France and the United States, in addition to standard repertoire of all periods he has extensive experience with rarely performed works of the Spanish Baroque, which he studied with José-Luis Gonzalez Uriol in Zaragoza, Spain. He holds the degree Doctor of Musical Arts in Organ Performance from the Eastman School of Music, where his teacher was Russell Saunders; his dissertation topic was “The Facultad Orgánica of Francisco Correa de Arauxo: Certain Aspects of Theory and Performance”. Earlier, he earned the Master of Music degree in Church Music from Southwestern Baptist Theological Seminary; undergraduate studies were at Pittsburg State University. He also studied privately for two years under Arthur Poister, with extensive masterclasses under Anton Heiller and Marie-Claire Alain. He continues to research and publication in 17th-century Iberian organ music. Dr. Lash previously held positions at the University of Georgia as teaching faculty in Music Theory and as a staff accompanist. Earlier he taught Music Theory, Organ and Harpsichord at Oklahoma Baptist University. He is currently organist at Christ United Methodist Church in Greensboro. Lash has performed at numerous solo venues in the United States, Russia and the Republic of Korea, and has presented for Music Teachers National Association, regional and national conventions of the American Guild of Organists, and for Festival Internacional de Música de Tecla Española. He has contributed articles on Spanish repertoire and interpretation for The Organ and Early Keyboard Journal, and recently contributed a comprehensive list of current editions of Iberian organ music for the national website of the American Guild of Organists, in which he has long been active as a chapter Dean and state and regional officer.

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Organ
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http://andrelash.com/
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First Name: 
André
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Lash

Pianist Cipa Dichter studied at The Juilliard School as a student of the legendary Rosina Lhevinne and made her first joint appearance at the Hollywood Bowl in 1972. Since then, Mrs. Dichter has performed in recital and with major orchestras throughout the world and has brought to the concert stage many previously neglected works of the two-piano and piano-four-hand repertoires. They include the world premieres of Robert Starer's Concerto for Two Pianos, the first movement of Shostakovich’s two-piano version of Symphony No. 13 (Babi Yar), and Mendelssohn's own four-hand setting of his “Seven Songs Without Words,” Op. 62 and Op. 67, commemorating the composer's 200th birthday. Cipa Dichter's North American engagements have included recitals in all of the major cities in the United States and Canada, as well as appearances with the symphonies of Baltimore, Chicago, Cincinnati, Los Angeles, Pittsburgh, and Seattle. Abroad, Mrs. Dichter has performed in the music capitals of France, Germany, Holland, Spain, and Switzerland. Mrs. Dichter performs regularly at many leading summer festivals, including Aspen, Mostly Mozart, Ravinia, the Hollywood Bowl, Caramoor, and the Mann Center. Following a concert by the Dichters at New York's Mostly Mozart Festival, The New York Times declared: "One was struck not only by the synchronism of their musical impulses but also by the vigor and elegance of the execution." Mrs. Dichter was born in Brazil of Polish-Russian parents and had her first piano lessons at the age of six. She made her professional debut at 16 with the Symphony Orchestra of Brazil and came to the United States to study at The Juilliard School shortly thereafter. Mrs. Dichter lives in New York City and has two grown sons.

Artist Instrument: 
Piano
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Conducting Fellow: 
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Faculty Violin I: 
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Faculty Cello: 
Faculty Double Bass: 
Faculty Flute: 
Faculty Piccolo‎: 
Faculty Oboe: 
Faculty English Horn: 
Faculty Clarinet: 
Faculty Bass Clarinet: 
Faculty Basson: 
Faculty Horn: 
Faculty Trumpet: 
Faculty Trombone: 
Faculty Tuba: 
Faculty Bass Trombone: 
Faculty Timpani: 
Faculty Percussion: 
Faculty Harp: 
Faculty Piano: 
Faculty Guitar: 
Alexander Technique Instructor: 
Festival Collaborative Artists: 
Festival Conducting Fellows: 
Faculty Collaborative Piano: 
Faculty Violin II: 
Faculty Contrabassoon: 
First Name: 
Cipa
Last Name: 
Dichter

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