Celebrating 63 Years of Inspired Music Making!

June 22 – July 27, 2024

Santiago Rodriguez

cuban male with gray hair wearing a tuxedo looking to the right

SANTIAGO RODRIGUEZ has been called “a phenomenal pianist” (The New York Times) and “among the finest pianists in the world” (The Baltimore Sun). He has performed internationally with leading orchestras, including the London Symphony, the Dresden Staatskapelle, the Weimar Philharmonic, the Yomiuri-Nippon Symphony Orchestra of Japan, the Tampere Philharmonic of Finland, the Berliner Symphoniker, the Philadelphia, Chicago, St. Louis, Baltimore, Seattle, Indianapolis, American Composers’, and Houston Symphony Orchestras, the National Symphony Orchestra of Washington, D.C., and the American Symphony Orchestra at Avery Fisher Hall in New York. Rodriguez has appeared in recital at the Schauspielhaus in Berlin, Leipzig’s Gewandhaus, Queen Elizabeth Hall in London, Montreal’s Theatre Maisonneuve, the Santander Festival in Spain, Alice Tully Hall in New York, The Kennedy Center in Washington, D.C., the Herbst Theater in San Francisco, the Ambassador Auditorium in Pasadena, and at the prestigious Ravenna Festival in Italy, where the critics proclaimed that “he conquered the audience.” Rodriguez made his Carnegie Hall debut under the baton of Dennis Russell Davis, and also traveled to Finland for a series of concerts with Eri Klas, conducting. In the 2016-2017 season, Rodriguez had return engagements in China, Korea, and Taiwan.

As a chamber musician, Rodriguez has enjoyed collaborations with illustrious ensembles, such as the Guarneri String Quartet and the Chamber Music Society of Lincoln Center. He also toured extensively as member of a piano trio with Ruggiero Ricci and Nathaniel Rosen, and he has performed with such distinguished musicians as Walter Trampler, Ransom Wilson, Gervaise de Peyer, Aurora Nátola-Ginastera, and Robert McDuffie.

Santiago Rodriguez’ vast repertoire of concertos and recital programs reflect his great versatility and musical interests. Commanding a repertoire of over 65 concertos, he has performed concertos of Bach, Bartók, Beethoven, Brahms, Chopin, Mozart, Tchaikovsky, Grieg, Gershwin, Liszt, Schumann, Franck, Mendelssohn, Prokofiev, and Rachmaninoff over his 35-year performing career. His all-encompassing list also includes the more unusual works of Khachaturian, Strauss, Saint-Saëns, MacDowell, Falla, Pónce, Surinach, Albéniz, Castelnuovo-Tedesco, and Previn. His recital list, displaying a stunning variety of solo works, ranges from the music of J.S. Bach, Mozart, Brahms, Beethoven, Chopin, Liszt, and Debussy, to Scriabin, Prokofiev, Albéniz, Granados, and Ginastera.

One of today’s foremost interpreters of the music of Sergei Rachmaninoff, Santiago Rodriguez has performed all of the composer’s major piano works in concert. He is currently recording The Rachmaninoff Edition, which, when completed, will encompass the entire catalog of Rachmaninoff’s original solo piano compositions. The three volumes which have been released have received international acclaim. In reviewing Volumes 1 and 2, Bryce Morrison of Gramophone stated that “Santiago Rodriguez, the Cuban-American virtuoso, is born for Rachmaninoff, and I doubt whether any of the works on these two discs have often been played with such a spellbinding mix of high-born virtuosity and poetic glamour.” Volume 2 was awarded the Washington Area Music Award for best classical recording of 1995, and Volume 3 was selected by Classical Pulse as one of the best recordings of 1995.

Santiago Rodriguez’ other recordings of repertoire from Bach to Ginastera, all on Élan Recordings, have been acclaimed for their “blazing conviction, tremendous technical strength, unswerving concentration and galvanic excitement …” (American Record Guide). National Public Radio’s Guide to Building a Classical CD Collection recommends three of Rodriguez’ recordings as “the best available” performances, and his recording of the Rachmaninoff and Prokofiev Third Concertos has been internationally acclaimed as one of the best in recorded history; the Chicago Tribune spoke of “the enormous sweep and impeccable control,” and American Record Guide concluded that “this Rachmaninoff Third goes immediately to the top of the list. Rodriguez has recorded numerous world premieres, including Piano Concerto No. 1 by Mario Castelnuovo-Tedesco; the Concertino for piano, strings, and cymbals of Carlos Surinach; Leonard Bernstein’s Touches; piano concertos from the movies Nightsong and Phantom of the Opera, both of which are featured on his release, Piano in Hollywood, and the Piano Sonata No. 2 of Alberto Ginastera, which was premiered by Rodriguez at Alice Tully Hall in New York. His latest project took him to Berlin, where he recorded Rachmaninoff’s Piano Concerto No. 2 and Chopin’s Piano Concerto No. 2 with the Berliner Symphoniker and Stephen Gunzenhauser, conducting. This is his 14th recording for the company.

Santiago Rodriguez was born in Cárdenas, Cuba, and began his piano studies at age four. After Castro seized power in Cuba, his parents sent Rodriguez and his younger brother to America under the care of the Catholic Charities. He spent the next six years in an orphanage in New Orleans. Fortunately, his mother had concealed money along with a note begging the nuns to continue his musical education. Two years after his arrival, he made his concert debut at age ten performing Mozart’s Piano Concerto No. 27 with the New Orleans Philharmonic. His international career was launched in 1981, when he won the Silver Medal at the Van Cliburn International Piano Competition; he also received a special prize for the best performance of Leonard Bernstein’s Touches, a work commissioned for the competition. Rodriguez’ unique life and artistry were profiled on CBS Sunday Morning with Charles Kurault in 1993. He has also been featured numerous times on the ABC, NBC, PBS, CNN, BBC, and CBC television networks.

Rodriguez also enjoys a distinguished reputation as a teacher and master-clinician. In 1980, he was a member of the Piano Division at the University of Maryland, where he held the rank of Professor and Artist-in-residence. Beginning in September 2009, he accepted the position of Professor and Artist-in-Residence at the Frost School of Music, University of Miami. Rodriguez has presented master classes at many major music schools and national/state teacher’s conferences in the U.S. and abroad and has been actively involved in the outreach programs of almost every musical organization for which he has performed. Most recently, he was Chair of the Jury at the William Kapell International Piano Competition in College Park, Maryland, and the San Antonio International Piano Competition in Texas. Rodriguez is also the Artistic Director of the Florida International Piano Competition and Artist-in-Residence at the Endless Mountain Music Festival in Pennsylvania.

Santiago Rodriguez holds a master’s degree from The Juilliard School, where he studied on full scholarship as a pupil of Adele Marcus, and he completed his undergraduate studies magna cum laude with William Race at the University of Texas-Austin.